Introduction:
Dwight Yoakam’s 1990 album, “If There Was a Way,” stands as a pivotal moment in his career, showcasing a broadening of his musical palette while firmly maintaining his roots in traditional country. Released at a time when country music was undergoing shifts, Yoakam’s work provided a vital link to the genre’s honky-tonk heritage, infused with an adventurous spirit.
Yoakam, known for his distinctive blend of Bakersfield sound and a contemporary edge, used “If There Was a Way” to explore diverse musical territories. While his earlier albums heavily emphasized the influence of Buck Owens and Merle Haggard, this record incorporated elements of rock and soul, demonstrating his artistic range. The title track itself exemplifies this, with its use of the Hammond B-3 organ, evoking the sounds of Muscle Shoals and Stax, a departure from the typical Nashville or Bakersfield arrangements.
The album’s success was marked by several charting singles, including “Turn It On, Turn It Up, Turn Me Loose” and “You’re the One,” solidifying Yoakam’s commercial and critical acclaim. Beyond the singles, the album is full of very strong tracks. The production of the album, by Pete Anderson and Yoakam himself, is a very important part of the sound of the album.
“If There Was a Way” also highlights Yoakam’s growth as a songwriter and his willingness to collaborate. He worked with songwriters like Kostas and Roger Miller, resulting in songs that resonated with both emotional depth and musical innovation. This album is a very important part of Dwight Yoakams discography, and shows his musical diversity.