Introduction:
“Since I Started Drinkin’ Again” is a track from Dwight Yoakam’s 1990 album If There Was a Way, which showcases Yoakam’s signature blend of honky-tonk and Bakersfield sound. The song delves into themes of heartbreak and the use of alcohol as a coping mechanism, reflecting the protagonist’s return to drinking to numb the pain of a lost love.
The album If There Was a Way marked a period of experimentation for Yoakam, introducing rock and soul influences while retaining his country roots. This diversity is evident in tracks like the title song, which incorporates a Hammond B-3 organ, and “Since I Started Drinkin’ Again,” which features notable fiddle work by Scott Joss and mandolin contributions from Tim O’Brien. Critics have described the song as a “bluegrass shitkicker” and a “self-destructive broken-heart song,” highlighting its raw emotional depth.
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The lyrics narrate the protagonist’s return to drinking after a period of sobriety, using alcohol to regain control over emotions following a breakup. The song touches on societal perceptions, with neighbors gossiping about the protagonist’s mental state, and anticipates potential consequences at work due to the drinking habits. Despite these repercussions, the protagonist remains unfazed, viewing drinking as a means to move on from the past relationship.
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“Since I Started Drinkin’ Again” was also featured as the B-side to the single “Turn It On, Turn It Up, Turn Me Loose,” which was released on September 26, 1990.
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The album itself received critical acclaim for its diverse material and Yoakam’s ability to blend different musical influences while maintaining his distinctive style.
In summary, “Since I Started Drinkin’ Again” stands as a testament to Dwight Yoakam’s storytelling prowess, combining traditional country instrumentation with poignant lyrics that explore the complexities of heartache and coping mechanisms. Its inclusion in the album If There Was a Way contributes to the record’s reputation as a significant work in Yoakam’s discography, reflecting his willingness to push the boundaries of country music while staying true to its roots.